Hand-made
GraphicS
(NO A!)
5×7 color transparency, Digitally-enchanted
The previous sketch was used to create a 5’x7’ mixed media painting using printed photo elements plus acrylic brushwork.
The finished mixed media painting.
Digitally-enchanted photograph
Digitally-enchanted elements
Digitally-enchanted elements
Digitally-enchanted elements
Digitally-enchanted elements
Digitally-enchanted elements
Digitally-enchanted elements
Digitally-enchanted elements
For a multi-media show and exhibition at New City Theater, Seattle, 2006. I also created imagery for the theater play running at that time: Tony Kushner’s “Only We Who Guard the Mystery Shall be Unhappy” (Laura Bush reads to dead Iraqi children in heaven)….
Multiple Scans of Pressed Flowers
Pressed Flowers, Digitally-enchanted (Designed for Flat, Wall-mounted Lightbox)
Pressed Flowers, Digitally-enchanted
Pressed Flowers, Digitally-enchanted
Digitally-enchanted Pressed Flower Singles
Pressed Flower, Digitally-enchanted
Pressed Sunflowers, Digital comp
Digitally-enchanted Pressed Sunflower plus elements from CNWR Moon Rock comp.
Multi-media handcut 8-ply artboard pieces mounted on black artboard. (Gouache, pencil, charcoal, acrylic and watercolor). 24”x36”
Gouache and pencil on black Artboard. 30” x 48”
Pressed Flowers, Digitally-enchanted
Pressed Flowers, Digitally-enchanted
Digital Drawing with Plant Parts
See “Tokonoma/Lucida” series of works on this website.
See “Tokonoma/Lucida” series of works on this website.
See and “Tokonoma/Lucida” suite of works on this website.
See “Tokonoma/Lucida” series of works on this website.
See “Tokonoma/Lucida” series of works on this website.
See “Tokonoma/Lucida” series of works on this website.
Acryllic on Board with Pressed Flowers, Digitally-enchanted detail. (See “Tokonoma/Lucida” works on this website.)
Pressed Flower mounted on Acrylic Painting
Acryllic on Board with Pressed Flowers, Digitally-enchanted detail. (See “Tokonoma/Lucida” works on this website.)
Times Square at Night and Wilson’s Warbler at Wilson Creek (UL)
Deception Pass Diorama (LR).
Installing the Bitmaps Painting “Deception Pass Diorama” plus Totem/Lucida and Tokonoma/Lucida lightbox arrays at Smith Tower.
Digitally-enchanted photograph
Gouache, Watercolor, Ink and Pastel + Photo on Paper. (PIP Series: Picture in Picture)
Digital Drawing (in 1999) over 35mm B&W Photograph of a Fashion Window on Madison Avenue, NYC, 1975. Giclee Print, 18”x24”
Giclee prints (from color, 35mm film photographs) with Pastel and/or Paint applications. Each image 18”x24”
Giclee prints (from color, 35mm film photographs) with Pastel and/or Paint applications. Each image 18”x24”
Picture in Picture Series. Mixed media on paper.
16” x 20” Giclee Print (from a 35mm B&W Negative), mounted on black 30” x 40”Canvas
35mm color photograph, Digitally-enchanted
Multiple 35mm color film images, digitally-enchanted
Photographs, Digitally-enchanted
Digitally-enchanted 35mm original
Digitally-enchanted 35mm original
Video Framegrab with digital enchantments.
In-Camera Double-exposure, 35mm B&W Film
Newspaper sports page photo
Newspaper sports page photograph, Digitally-enchanted
See “Totem/Lucida” suite elsewhere on this website.
See “Totem/Lucida” Suite elsewhere on this website.
See “Totem/Lucida” suite elsewhere on this website.
See “Totem/Lucida” series of works on this website.
I designed and created the print-ready layouts and artwork for all my exhibition postcards.
I designed and created the print-ready layouts and artwork for all my exhibition postcards.
Designed to announce and distribute my program to a wide potential audience (including the public schools), this poster/mailer was used by the Bureau of Land Management throughout Washington state. I designed and created it pro bono.
Photograph, Digitally-enchanted
Photograph, Digitally-enchanted
Scans on Digital Background
Scan
Dead Leaves Scan
Digitally-enchanted scans
Digitally-enchanted photograph
Scan
Photograph
Scan
Scan(s)
Flowers + Acrylic Painting. See “Tokonoma/Lucida” Suite of images elsewhere on this website.
Mixed Media on 35mm Glass Slide
Mixed Media on 35mm Glass Slide
Mixed Media on 35mm Glass Slide
Mixed Media on 35mm Glass Slide (Digitally-enchanted)
Digitally-enchanted 35mm Color Film Positive
Long-exposure 35mm Color Photograph, Digitally enchanted
Long-exposure 35mm Color Photograph, Digitally enchanted
Long-exposure 35mm Color Photograph, Digitally enchanted
Photograph
Oak Harbor Garage Studio, 1973
Photogram, Oak Harbor Garage Studio, 1973
Photograph + Photogram, Oak Harbor Studio, 1973
Photogram, Oak Harbor Studio, 1973
Photogram, Oak Harbor Studio, 1973
Digitally-enchanted Scan
35mm Color Film Positives, digitally knit together
Digital Realization (prepared for animation in After Effects)
Diptych, Gouache on Board
Macro-photograph of Gouache painting, Digitally-enchanted
Macro-photograph of Gouache painting, Digitally-enchanted
Hand-punched Dots from Hand-painted Gouache Paper mounted on Board.
Ink on Paper, Digitally-enchanted
Ink on Paper, Digitally-enchanted
Digital Realization
Photograph of Polka-dot Cloth, Digitally-enchanted
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital-realization
Digital Realization
Digital Realization
Digitally-enchanted Scan
Digitally-enchanted Scan
Poster-size Giclee Print from Digitally-enchanted Scan
Poster-size Giclee Print from Digitally-enchanted Scan
Poster-size Giclee Print from Digitally-enchanted Scan
Poster-size Giclee Print from Digitally-enchanted Scan
Digitally-enchanted Scan
Digitally-enchanted Scan
35mm Color Film Positive
Oak Harbor Studio, 1973
Ink and oil on Glass, Digitally-enchanted
Scan
Scanned and Digitally-enchanted
Digitally-enchanted photographs
Raw Flyscreen Scan
Digitally-enchanted Fly Screen
Digitally-enchanted Fly Screen
Raw Fly-screen Scan
Digitally-enchanted Fly Screen
Digitally-enchanted Fly Screen
Digitally-enchanted Fly Screen
Digitally-enchanted Fly Screen
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Felt pen on paper
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Sumi-e Ink on Paper (Digitally-enchanted)
Color Xerox of Tokonoma/Lucida painting elements plus Leaf, Feather and Twigs mounted on Color Aid Paper
Multi-media artwork consisting of multiple pieces of wood, insects and flowers, etc. (found on my son’s Audubon daycare playground) mounted on a digital print. 18”x24”
Gouache and mixed-media on heavy-duty artboard, handcut and mounted on black artboard. 18”x24”
Mixed media on Paper
Acrylic on Violin
Digitally-enchanted Watercolor on Paper
7-color, hand-cut Silk-screen on Paper
Silk-screen on Color Aid Paper
Silk-screens from B&W 35mm photographs of Musical Group (Bitches Brew). 1974
Silk-screen on Color Aid Paper
Silk-screen on Newsprint
The entire Hsin Hsin Ming (信心銘) written in ink (in English) on a 3×5 notecard.
Pencil and pastel rubbings on wood (on onion skin paper).
Silk-screen on Paper
Photos, Sumi-e, Silk-screen and Pen&Ink
Paper Stencil Silk-Screen
Silk-screen on Board
Watercolor on Paper
Digitally-enchanted Watercolor on Paper
Digital Realization
Digital Realization
Inspired by a childhood memory of a Symphonie Fantastique (Berlioz) record album cover from 1955 that terrified me as a 5-year old (as did the music itself). Watercolor on Paper
Digitally-enchanted Watercolor on Paper
Digitally-enchanted Watercolor on Paper
Silk-screen on Paper, Paper Stencil
Watercolor on Paper
Woodblock on Paper
Ink on Paper
Drawings in a variety of media
See “Drawings” page elsewhere on this site
Drawings in a variety of media
See “Drawings” page elsewhere on this site
Drawings in a variety of media
See “Drawings” page elsewhere on this site
Drawings in a variety of media, Digitally-enchanted
Collage on Paper, 1979
Collage on Board, 1979
Collage on Paper
…with dots by TA. Gouache on Board 1974
Acryllic on Board, Digitally-enchanted detail (See “Tokonoma/Lucida” works on this website.)
Acryllic on Board, Digitally-enchanted detail (See “Tokonoma/Lucida” works on this website.)
Acryllic on Board, Digitally-enchanted detail (See “Tokonoma/Lucida” works on this website.)
Acryllic on Board, Digitally-enchanted. (See “Tokonoma/Lucida” works on this website.)
Acryllic on Board, Digitally-enchanted detail (See “Tokonoma/Lucida” works on this website.)
Acryllic on Board, Digitally-enchanted detail (See “Tokonoma/Lucida” works on this website.)
See “Tokonoma/Lucida” series of works on this website.
Charcoal on Vellum, Hand-drawn, 1976
Hand-drawn, Ink on Paper, 1976
Hand-cut Silk-screened Color Aid Paper, 1975
Ink on Paper, later made into Hand-cut Stencil version for 4-color offset press (stationery, envelopes, etc.) 1978 / I was the Projects Director at that time.
Music Center of the NW is a non-profit community music center in Seattle. These are 3 logos I designed for various purposes (stand flags for music stands, a 3D moving video logo and a tote bag).
All work for MCNW was pro bono
I was a trumpet player in Centerpiece Jazz Band (the “house band” for MCNW). I did the graphic design work for CJB and, coincidentally, named the band. Photography by Bill Stickney and Vicki Boeckman.
I was a trumpet player in CJB (the “house band” for MCNW). I did the graphic design work for the CD. Photograph by Bill Stickney.
Season Promotional Poster for New City Theater (Seattle), where I was an artist in residence.
Concert Posters, Seattle. 16”x20” and 11”x17”.
A pro bono project for Around the Sound Community Band. (I was principal trumpet in the band.)
Our wedding announcement card from 1971.
High-contrast B&W Photographs
I began my professional career as a photographer and graphic designer. After I invented my Modular Design System (which can be viewed elsewhere on this site), I was persuaded by professionals in Seattle (where I lived) to move to New York City to attend Pratt Institute and get some “Real” graphic design training; which I did immediately in 1975. In 1977, after Pratt (where I created the first medical photography program in New York state) I went into medicine and became an ophthalmic photographer, film-maker and videographer at Harkness Eye Institute at Columbia-Presbyterian Hospital (the oldest eye clinic in the world, where I was also the Eye Diagnostic Center supervisor). Thereafter, I became Projects Director at Dr. Francis A. L’Esperance’s Ophthalmic Research Foundation (also in NYC) and then moved back to Seattle to work for Dr. David J. McIntyre, a world-class eye surgeon, with whom I started the first national, medical-specialty video production house in the USA, LifeLine Video Productions. At each step of this journey I was creating logos and a wide variety of printed pieces for my medical employers, professional organizations and businesses as well as pro bono work for clients such as the great jazz musicians and theater people I knew at the time. Graphic Design was another tool in my professional armamentarium and immensely helpful in catalyzing my endeavors. It was also an invaluable skill which I applied routinely in my numerous video projects, both in medicine and the arts. In my home studio, I was also creating numerous graphic design works on my own as “artistic projects” or as “laboratories of ideas” which sometimes led me into more serious artistic realms. I hope you enjoy this short tour of a diverse panoply of visions, in a variety of media, that I have created over the last half century. (Please note that the Intelligence in these artworks, such as it is, is all my mine and guaranteed non-Artificial.)